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Atomos Sumo 19"

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19 "4K recorder / HDR monitor with live switcher

Availability: In stock

Price :

-10% savings

. VPC (bez PDV-a) : HRK16,800.08 MPC (s PDV-om) : HRK21,000.10

HRK

Details

Record and mix 4K 12-bit RAW, 10-bit ProRes and 1080p60 simultaneously with the 19-inch production monitor

The Sumo of ATOMOS is a 19 "monitor that provides a maximum brightness of 1200 Nits for best picture under difficult lighting conditions or HDR-productions. The Sumo has both HDMI 2.0 ports for up to 4Kp60 inputs / outputs as well as Quad SDI ( 3G QuadLink / 6G / 12G) with its rugged aluminum housing, the Sumo is easy to use for a variety of applications on the set or in the studio, and the monitor is ideal for HDR productions by supporting different gamma curves such as PQ or HLG It is possible to calibrate the monitor via an optional colorimeter.

With the 12-bit RAW support of cameras such as the Sony FS5 / FS7 / FS700, Canon C300MKII / C500 or Panasonic VariCam LT via SDI with up to 12 Bit 4Kp30 as CDNG or 10 Bit Apple ProRes / Avid DNxHR with up to 4Kp60 Sumo can be used as a professional recording device and the sensor data can be recorded almost loss-free.

Key Features:

  • 19 "10-bit LCD FullHD production monitor with up to 1200 Nits for HDR productions
  • 3G QuadLink / 6G / 12G SDI & HDMI 2.0 connections
  • 12-bit RAW recording with up to 4Kp30 in CDNG
  • 10-bit ProRes / DNxHR with up to 4Kp60
  • Calibration of the monitor with optional colorimeter
  • Atom HDR with log gamma support (PQ, HLG)
  • Robust aluminum housing
  • Mixer functions for multi-cam applications
  • Balanced XLR Monitor & Record inputs * with 48V phantom power
  • Recording to SSD disks
  • In box:

  • 1x Sumo 19 "production monitor
  • 1x Master Caddy II
  • 1x AC power supply
  • Weight
    Without batteries, media & stand 5.6kg / 12.3lb
    With stand 6.2kg / 13.7lb
    Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand)
    504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
    Construction Aluminium alloy chassis with built in armor protection
    Mounting Points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side
    3/8-16 screw; 2 x top, 2 x bottom, 1 x side
    VESA mount rear

    Power
    Operating power 75W
    Compatible batteries V-Lock / Anton Bauer via XLR terminal
    (optional mounting plates available)
    Input voltage (battery) 14.4V nominal
    Battery time (based on 7.4V) Depends on Watt Hours speci cation of battery used
    DC In 1 x DC in (6.2 - 16.8V)
    Continuous power
    * Patent pending
    Primary-secondary battery system.
    Change batteries without losing power
    Loop batteries continuously

    Touchscreen
    Size 19”
    Resolution 1920 x 1200
    PPI 120
    Aspect ratio 16:9 native
    Color Gamut REC709 HDTV
    Look up table (LUT) support 3D LUT (.cube format)
    Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
    Technology SuperAtom IPS panel (capacitive touch),
    calibration to Rec.709 with optional calibration unit

    HDR
    AtomHDR Yes
    Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
    Panasonic Vlog, JVC JLog, Red LogFilm
    Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema / BT2020 / DCI P3 / DCI P3+
    Panasonic V Gamut
    Arri Alexa Wide Gamut
    Bit depth 10-bit (8+2 FRC)
    Brightness 1200nit (+/- 10%)
    HDR input (PQ/HLG)
    HDR output (PQ/HLG)
    Yes / Yes
    Yes / Yes

    Video input/loop out
    HDMI 1 x HDMI (2.0)
    SDI Quad link 4 x 3G SDI* or up to 12G single link SDI
    Signal Uncompressed true 10-bit or 8-bit 422
    (camera dependent)

    Video output (play out)
    HDMI 1 x HDMI (2.0)
    SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    Signal Uncompressed true 10-bit or 8-bit 422
    (playback file dependent)

    Supported loop out formats
    HDMI to HDMI 720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120
    2160p 24/25/30/50/60
    SDI to SDI 720p 50/60, 1080i 50/60
    1080pSF 24/25/30
    1080p 24/25/30/50/60/100/120
    2160p 24/25/30/50/60

    Video signal conversion
    HDMI to SDI 720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120/200*/240*
    2160p 24/25/30/50/60
    SDI to HDMI 720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120/200*/240*
    2160p 24/25/30/50/60

    Supported Codecs & frame rates (record & playback)
    Raw Record Sony FS5/FS7^^/FS700 CDNG
    4K DCI; 24/25/30p
    4K UHD;
    2K; 24/25/30/50/60/100/120p
    1080;

    Canon C300MKII/C500 CDNG
    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K;
    1080;

    Panasonic VaricamLT / Varicam35* CDNG
    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K;
    1080;

    Arri Alexa Mini .ARI*
    2880x1620; 24/25/30/50/60p
    2880x2160; 24/25/30/50/60p

    Raw to ProRes / DNxHR Sony FS5/FS7/FS700
    ProRes (HQ, 422, LT)
    DNxHR (HQX, HQ, SQ, LB)

    4K DCI; 24/25/30/50/60p
    4K UHD;
    2K; 24/25/30/50/60/100/120/200/240p
    1080;

    Canon C300MKII/C500
    ProRes (HQ, 422, LT)
    DNxHR (HQX, HQ, SQ, LB)

    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K;
    1080;

    Panasonic VaricamLT / Varicam35*
    ProRes (HQ, 422, LT)
    DNxHR (HQX, HQ, SQ, LB)

    4K DCI; 24/25/30/50*/60p*
    4K UHD; 24/25/30/50*/60p*
    2K; not supported in camera
    1080; not supported in camera

    Video to ProRes / DNxHR
    (DNx utilizes a .MOV wrapper)
    Codecs
    Apple ProRes HQ, 422, LT
    AVID DNxHR HQX. HQ, SQ, LB

    Frame rates
    4K DCI; 24/25/30/50/60p
    4K UHD; 24/25/30/50/60p
    2K; N/A
    1080p; 24/25/30/50/60/100^/120^/200/240p
    1080i; 50/60i
    720p; 50/60p

    Onboard processing
    Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
    60i > 24p (3:2 pulldown)
    4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)

    Audio in/out (48kHz PCM audio)
    HDMI 2 or 8ch 24-bit, camera dependent
    SDI 12ch 48kHz 24-bit
    Audio 2ch balanced XLR analog in/out (direct XLR connection)
    Dynamic range >90dB
    Max signal level +24dBu
    Max analog gain +52dB
    48V Phantom Power for Mic
    Headphone Out 3.5mm
    Built-in Speakers Yes

    Remote start/stop
    HDMI Auto HDMI Trigger
    Supported Protocols - Canon, Sony, Atomos Open Standard
    SDI SDI trigger camera selectable
    Other LANC control - Slave

    Playback
    Playlist / Genlock / LTC Yes / Yes / Yes
    CDNG (Recorded content) No support
    ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
    DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps

    Recording
    Pre-roll record Yes (HD 8s, 4K 2s)
    Custom timelapse Yes
    Meta data tagging Yes (10 tags available)
    Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    Master caddy case Master Caddy II (included)
    75mm x 105mm x 12mm
    Master caddy dock 2.5” SATA to USB 2.0/3.0
    Supported applications Supported Applications FCPX/FCP7+ / Media Composer
    5.0+ / Premiere 5.5+
    EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
    Autodesk Smoke 2015
    XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
    Accessories included Sumo unit, Master Caddy II x 1, AC power supply
    Optional extras Sunhood, VESA battery adapter plate, Atomos HDMI
    cable, X-Rite i1DisplayPro calibration
    Warranty 1 year. Extended to 3 years on product registration

    All specifications correct when published, subject to E&OE.

    24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution

    * Available in future firmware updates

    *** No HDMI spec for 2K DCI

    ^ From supported HDMI sources such as gaming consoles and graphics cards.

    ^^ Optional unit (XDCA-FS7) needed for Raw output.

    Additional Information

    Short description homepage No
    Manufacturer Atomos
    Badge: New Yes
    Badge: action No
    Badge: recommendation No

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